The Watermill Center’s Artist Residency Program began in 2006, when The Center officially opened as a year-round facility. Each year collectives and individual artists take up residence at The Center to live and develop works that critically investigate, challenge and extend the existing norms of artistic practice. Artists-in-Residence share their creative process with the community through open rehearsals, workshops and artist talks.
Artists-in-Residence receive access to an extensive collection of resources central to the Watermill experience: 20,000 square feet of rehearsal/design spaces and outdoor stages; a theater production archive; The Watermill Center Study Library; The Watermill Center Collection; and The Center’s eight-and-a-half acre landscaped grounds and sculpture gardens.
Applications are reviewed by a distinguished international selection committee composed of artists, academics, and cultural leaders across all disciplines. To date, we have hosted over 170 residencies featuring artists from more than 65 nations.
photo © Lindsay Morris
BAKIS, Carlos Bunga, Lilian Colosso, Jeremy Dennis, Sebastian Escalona & Josefina Dagorret, Fan Letters, Stacey Goodman, Lexy Ho-Tai The Hutto Project, Marianna Kavallieratos & Dom Bouffard, Lotte Nielsen, NoodleRice, Brian O’Mahoney, Aneta Panek, PHYSICAL PLASTIC, P.L.U.T.O., Lua Rivera, Cleek Schrey, William Stewart, Gillian Walsh, Royce Weatherly, Carrie Mae Weems
7 Daughters of Eve Thtr. & Perf. Co, BOOMERANG, Hans-Jörn Brandenburg, Sophia Brous, Kenneth Collins, Cuerpo Indisciplinado (Undisciplined Body), Joe Diebes, El Colegio del Cuerpo, Francesca Fini, Joss Lake, Zeinab Shahidi Marnini, Armando Mariño, Mary Mattingly, Noel Mckenna, Rashaun Mitchell and Silas Riener, Sahra Motalebi, Ebe Oke, Andrew Ondrejcak, Alan Lucien Øyen, G.T Pellizzi, Matthew Prest and Clare Britton, Acción Residente, Lisa Ross, Zach Eugene Salinger-Simonson, Basco Vazko, Tori Wrånes, Netta Yerushalmy
Mary Ellen Bartley, Oliver Beer, Cirkus Cirkör, Julian Crouch & Saskia Lane, Tamar Ettun, Geoffrey Farmer, Kristen Foote, Catherine Galasso, Manuela Infante with Teatro de Chile, Tomek Jeziorski, Amy Khoshbin & Sarah Dahnke, Natacha Mankowski, Hélène Patarot, Carlos Soto
Brittany Bailey, Tacy Borg, José Carlos Casado, Maya Chami, Jayoung Chung, Jack Ferver, Fanni Futterknecht & Marianne Vlaschits, Annie Gosfield, Marsela La Grave, Tilman Hecker, Mohammed Kazem, Lydian Junction, Roman Paska, Álvaro Restrepo / El Colegio del Cuerpo, Amber Hawk Swanson, Temporary Distortion, Entang Wiharso
John Atwood, Outspoken Bean, Dictaphone Group, Catherine Galasso, Dance Heginbotham, Cynthia Hopkins, Laleh Khorramian, Christopher Knowles, Roman Paska, Ibrahim Quraishi, Kamala Sankaram, Collaboration Town, VisionIntoArt
Theo Adams Company, John Bock, Nova Jiang, Bridget Leak, Rachel Libeskind, John Messinger Catarina de Oliveira, Tristan Perich, Katharina Schmitt, Samita Sinha, Anna Telcs, Halldór Úlfarsson, Davyde Wachell and Davíð Brynjar Franzson, The Wet Weather Ensemble, Christopher Williams
Abbas Akhavan, Davide Balliano, Keil Borrman, Columbia Arts Collaboration Lab, Degenerate Art Ensemble, Daniel Knox and John Atwood, Krymov Lab, David Levine, Carlos Murillo, Shahryar Nashat, Shirin Neshat, People Get Ready, Sasha Petrenko & WWAWUT, Egill Sæjörnsson, SS, Theatercombinat, Allie Avital Tsypin and Gabrielle Herbst, Tereza Velikova, Megan Whitmarsh and My Barbarian, WorldWideLab: A Directors Festival
Anu Productions, CHOKRA, Collaboration Town, The Constant Reality Theater, Kevin Doyle, Michael Dudeck, Colin Gee, André Gringras, Andreas Hirsch, Erin Leland, David Levine, Judah Mahay, Stary Mwaba, Christopher Roth, Alexandra Sachs, Georgie Roxby Smith, SOBER & LONELY
Maria Jose Arjona, ChameckiLerner, Hsaio Chen, C. Ryder Cooley, Robin Deacon, Laboratorium Erb, GirlMachine, H*E*R*D Group, Bryan Markovitz, Katharina D. Martin, Birgitte Moos, Sarah Ortmeyer, Katherina Radeva, Joshua Seidner, Steven Vega, Les Vraoums, Wakka Wakka Productions, Caroline Woolard
Reuben Butchart, Collaboration Town, Implied Violence, Igor Josifov, Klingon Terran Research Ensemble, Elke Luyten, Camille Morin, Kate Mueth, Real Circus & Terra Nova, Le Theatre de Microsysteme, Theater Mitu, Jorinde Voigt, Andrzej Wirth, Ralf Ziervogel
Body Building Project, The Chase Brock Experience, CollaborationTown, Ana Cruz & Paulo Diegues Vieira, Elina Hanhivaara, The Hotel Savant, Chevaux Légers, LEIMAY AcTS LAB, Elke Luyten, Makram Hamdan Dance Company, Daria Martin, Oona Spengler, The South Wing
Nazanin Fakoor, Jakob Friis & Julie Lindhardt, Moving Theater, The South Wing
Applications for the 2019 Watermill Center Artist Residency Program are now closed. Applications for the 2020 Artist Residency Program will open in early 2019.
Residencies are scheduled by mutual agreement between the accepted Resident Artist and Watermill during the following months:
January – June
September – December
Residencies can be scheduled for a minimum of two weeks and a maximum of six weeks. There are multiple residencies occurring concurrently, alongside educational and community outreach programming that is scheduled throughout residencies. It is integral to Watermill’s programming that artists live and work together with other Artists-in-Residence as well as the local Long Island community.
Admission to the program is by selection only. The Watermill Center uses SlideRoom to gather applications and work samples for its Residency Program. All material must be submitted via the online portal through SlideRoom. There are NO exceptions.
The online application portal will lead you through the various required questions, attachments, and media uploads (work samples). There is a $10 USD fee per proposal that covers the cost of the application portal. Payment is accepted on the SlideRoom website. This fee doesn’t go to The Watermill Center, but is paid directly to SlideRoom.
Step-by-step application instructions are available on the SlideRoom application portal.
A Selection Committee convenes each summer to review proposals. Proposals are evaluated on the basis of the artistic quality of the submitted work samples, the strength and originality of the artist’s ideas, and the specificity of the project as it relates to Watermill’s resources.
Announcement of application status is made in late August/early September.
Residents are required to participate in In Process @ The Watermill Center, which invites the community to engage with our Artists-in-Residence on select Saturday afternoons through open rehearsals, workshops, studio visits, lectures or artist talks. In Process typically occurs midway through an residency, and is focused on giving the you the chance to share your artistic process with the local community, and get feedback on the project under development.
Workshops and other community events are strongly encouraged. Each artist is also encouraged to have an education component to their residency. The Watermill Center staff will work with you to plan and design education programming.
The Watermill Center provides local transportation, housing, and workspace as part of the Artist Residency Program. During the course of the residency, residents are responsible for living expenses such as food, and travel to and from Watermill, and also production expenses such as art materials and supplies, and equipment rentals. Watermill will provide a modest reimbursement to offset these expenses. Additional details will be provided upon acceptance to the program.
There are no residency fees aside from the cost of the application. ($10 USD)
If the artist initiates it, The Watermill Center will supply signed letters of support for outside funding and can offer advice for potential funders to underwrite or assist.
The Watermill Center combines performance and rehearsal sites with working and communal living spaces. Its flexible and multi-purpose interiors house formal and informal studio and performance spaces, The Watermill Collection, an The Watermill Study Library, kitchen facilities, and a dormitory. The Center is situated on ten acres of wooded and landscaped grounds in a rural environment.
The Center does not provide a traditional theater studio environment. We do not have a lighting grid or a technical staff to assist with rehearsals and construction. The main studio spaces have black-stained hardwood floors, white walls, and many windows. There is no separation between studio and gallery or living and working spaces, and The Watermill Collection is carefully curated throughout The Center. Artists have the unique opportunity to work amongst these museum pieces and to work with The Center staff to recurate their environments. Watermill encourages artists to engage with the collection and architecture, and to explore all facets of The Center, inside and out.
The Watermill Center is about living and working together communally. As such, it is important that everyone share responsibilities. Respecting the building, the site, fellow artists, and the local Water Mill community as a whole is integral to a successful experience.
Epoxy over cement floors, unless otherwise noted
Garage gallery (8′ h x 72′ l x 28′ w [2.5m h x 22m l x 8.5m w)
Rolling garage doors (heated)
Can be used for workspace, office space, and receptions
Research library with print and audio-visual materials
Dining room (capacity: 50)
Outdoor dining courtyard (capacity: 100)
Public bathrooms with showers
3-in-1 handicap accessible
Laundry room with four washers and dryers
Collection archive containing artifacts, objects, and audio-visual materials
Rehearsal Room (18′ h x 54′ l x 28′ w [5.5m h x 16.5m l x 8.5m w)
Marley dance floor is available to lay over hardwood floors
Two small studios/galleries
Dormitory (sleeping capacity: 8; additional 4-6 beds available offsite)
Two public shower rooms attached to dormitory
Master residence for staff use only
Two smaller studios/galleries
For questions about the Artist Residency Program, or for questions about the application, please email email@example.com.
For technical assistance with the application, please contact Slideroom directly at firstname.lastname@example.org
(This video was created in 2013. While some aspects of the application process have changed, the majority of the information can be applied to this application process.)