AMANDA JOHNSTON (she/her/hers)
United States
Discipline: Literature
In Residence: February 16-22, 2022
Amanda Johnston earned a Master of Fine Arts in Creative Writing from the University of Southern Maine. She is the author of two chapbooks, GUAP and Lock & Key, and the full-length collection Another Way to Say Enter. Her work has appeared in numerous online and print publications, among them, Callaloo, Poetry Magazine, Puerto del Sol, Muzzle, and the anthologies, Furious Flower: Seeding the Future of African American Poetry and Women of Resistance: Poems for a New Feminism. She has received fellowships, grants, and awards from Cave Canem Foundation, Hedgebrook, the Kentucky Foundation for Women, and the Austin International Poetry Festival. She is a member of the Affrilachian Poets, cofounder of Black Poets Speak Out, and founder of Torch Literary Arts
This residency is supported through the Maria Bacardi Artist Scholarship, established by a generous gift from artist Maria Pessino, in honor of her late grandmother.
PASSEPARTOUT DUO
Italy
Discipline: Multidisciplinary, Music
In Residence: March 2 – April 1, 2022
Passepartout Duo is a music group composed of pianist Nicoletta Favari and percussionist Christopher Salvito. Making music that escapes categorization, the duo’s ongoing travel around the world informs the multi-disciplinary collaborations, instrumental compositions, and evocative music videos that constitute their body of work. The events they create focus on reconsidering the modalities in which people listen to and connect with music, and are cast from a wide range of aesthetics and disciplines. Taking a from-scratch approach with their musical endeavors, DIY instruments play a central role in their discographic releases.
The ensemble has also performed at prominent music festivals like Rewire (NL), the Huddersfield Contemporary Music Festival (UK), the Norfolk Chamber Music Festival (US), the Festival de La Habana de Música Contemporánea (CU), the Sounding Now Festival (SG), the Summartónar Festival (FO), and the Dark Music Days Festival (IS). The duo has also been awarded residencies including the Swatch Art Peace Hotel (CN), Interface Inagh (IE), Embassy of Foreign Artists (CH), AIR Niederösterreich (AT) and Banff Centre Winter Musicians in Residence (CA).
This residency is supported through the Maria Bacardi Artist Scholarship, established by a generous gift from artist Maria Pessino, in honor of her late grandmother.
VILLE ANDERSSON
Finland
Discipline: Visual Arts, Multidisciplinary
In Residence: March 2 – April 1, 2022
Ville Andersson (1986) is a versatile artist, both in his use of different media and in his variety of styles and themes. His series comprise, among others, photographs, drawings, 3D computer design, paintings, installations, and texts. Andersson lives and works in Helsinki. He has exhibited actively, including at: Espoo Museum of Modern Art; Weserburg Museum für Moderne Kunst, Bremen; Fotomuseum Provincie Antwerpen, Tokyo Metropolitan Museum of Art & The Tretyakov Gallery, Moscow.
Besides exhibitions, he is actively involved in many communal and interdisciplinary projects. Previous projects incl. stamps for the Finnish postal service, stage- and costume designs for a theatre play, collaboration with the Academic Bookstore, artworks for a home for senior citizens, and graphic patterns for the tram stop shelters in the city of Tampere. Currently, he is one of the artists chosen for Platform GÁTT, where 5 high-profile arts festivals in the Nordic region band together with the mission to highlight young artists working in the Nordic countries. He has received several awards for his work. In 2015 he was named the Young Artist of the Year in Finland. His works are in several public collections.
Ville Andersson is a recipient of the 2022 Inga Maren Otto Fellowship at The Watermill Center.
BRIAN BLOCK (he/him/his)
United States
Discipline: Visual Arts
In Residence: April 6 – May 6, 2022
Brian Block is a sculptor whose work stems from original research into the language and ideology of selected “perceptual authorities.” Block considers his foundational research – studying an institution, collecting artifacts, archiving as the beginnings of a form of “counter knowledge” at the base of his practice. His works arise from the reshaping of the tropes of legitimacy of his sources, offering a fictive trick-mirror imitation of institutional reality production. His practice is positioned in the interplay of the somewhat fictive reality of ideology with the fictive realm of art. Block lives and works in New York City and Grafton, NY.
This residency is supported through the Maria Bacardi Artist Scholarship, established by a generous gift from artist Maria Pessino, in honor of her late grandmother.
MARIA LOUIZOU (she/her/hers)
Greece
Discipline: Multidisciplinary
In Residence: April 6- May 6, 2022
Maria Louizou is a Greek sculptor born and based in Athens. She creates large-scale sculptures which provide the audience with space for interaction and expression. Her vocal compositions are inspired by traditional female vocal laments. She holds a Bachelor’s and a Master’s degree in sculpture from the Athens School of Fine Arts (A.S.F.A.). She studied music theory (classical and electronic) at the Athens Conservatoire. She was recently awarded the “ARTWORKS 2020” prize. Her research “The Body in Contemporary Sculpture, Greek Tradition, and Polyphonic Composition” won a grant by the Greek Ministry of Culture in 2020. Her work has been shown in New York at The Watermill Center’s 2019 Annual Summer Benefit, as well as in Beijing, where she was awarded the prize “China Taiyuan International Youth Metal Sculpture” in 2018. Her work was displayed at the “Theorimata 2018” exhibition at the National Museum of Contemporary Art in Athens (E.M.S.T.). Her last solo show “Six Breaths per Minute” took place at Contemporary Art Center Ileana Tounta in Athens in 2021. She is currently presenting a collective work in collaboration with Columbia University and Victoria Square Project team.
This residency is supported through the Maria Bacardi Artist Scholarship, established by a generous gift from artist Maria Pessino, in honor of her late grandmother.
OLA MACIEJEWSKA
Poland, France
Discipline: Multidisciplinary, Performance
In Residence: April 6- May 6, 2022
Born in Poland and based in France, Ola Maciejewska is a dancer and choreographer. In 2012 she obtained her MA in Contemporary Theatre and Dance Studies at the University of Utrecht. She made her choreographic debut with Loie Fuller: Research (2011) at TENT Rotterdam. In 2015, Maciejewska premiered BOMBYX MORI in Paris at la Ménagerie de verre as part of the Festival Les Inaccoutumés. From 2016-2018 Maciejewska was associate artist of Centre chorégraphique national de Caen en Normandie. Her latest work, DANCE CONCERT had its world premiere at National Taichung Theatre in Taiwan and was presented at Centre Pompidou as part of the 2018 Festival d’Automne in France. BOMBYX MORI and DANCE CONCERT are supported by Fondation d’entreprise Hermès as part of New Settings. In 2019, she received a grant from “International Tanzmesse NRW” to make research on the scenography of Rolf Borzik at the Archives of the Pina Bausch Foundation in the fall of 2020.
Ola Maciejewska is a recipient of the 2022 Baroness Nina von Maltzahn Fellowship for the Performing Arts at The Watermill Center.
NILE HARRIS (he/him/his)
United States
Discipline: Multidisciplinary, Performance
In Residence: May 11 – June 10, 2022
Nile Harris is a performer and a director of live works of art. His work has been presented at the Palais de Tokyo, Under the Radar Festival (Public Theater), The Watermill Center, Volksbühne Berlin, Prelude Festival, Bronx Academy of Arts and Dance, Otion Front Studio, and Movement Research at Judson Church. His work has been supported by Pepatián, Foundation for Contemporary Art, Abrons Arts Center, YoungArts, and Brooklyn Arts Exchange. He has worked extensively as a performer originating roles in works by various artists including Jaamil Olawale Kosoko, 600 HIGHWAYMEN, Bill Shannon, Robert Wilson, Nia Witherspoon, Lilleth Glimcher, Malcolm Betts X, and Miles Greenberg in venues including New York Live Arts, Museum of Modern Art, Tanz im August, The Walker Art Center, EMPAC, Danspace Project, Superblue, Stanford Live, Dublin Theatre Festival, and MESS Festival.
Nile Harris is a recipient of the 2022 Baroness Nina von Maltzahn Fellowship for the Performing Arts at The Watermill Center.
HELEN BETYA RUBINSTEIN
United States
Discipline: Literature
In Residence: May 11 – June 10, 2022
Helen Betya Rubinstein is a writer, writing coach, and college professor at work on four book-length projects. She is interested in subverting conventions of narrative, staging divergent voices in conversation, and using the personal as a prism for the social/political. Her work has appeared in publications including Gulf Coast, Literary Hub, and Jewish Currents.
This residency is supported through the Maria Bacardi Artist Scholarship, established by a generous gift from artist Maria Pessino, in honor of her late grandmother.
ADAM LENZ (he/they) &
MIKI ORIHARA (she/her/hers)
United States, Japan
Discipline: Multidisciplinary, Music, Dance
In Residence: May 16-27, 2022
Adam Lenz is a composer and multidisciplinary artist based in Connecticut. His work has been presented at internationally recognized venues in over a dozen countries including ZKM, Teatrul Național Craiova, Cankarjev Dom, Platonov Arts Festival, The Watermill Center, Abrons Arts Center, Berliner Festspiele, Print Screen Festival, Mengi Gallery, Boston University Art Galleries, NYCEMF, and SEAMUS. As a collaborator, Adam has partnered on performance works with Robert Wilson, Dr. GoraParasit, Baboo Liao, Robert Black, and Zach Rowden. Presently, Adam is the Public Engagement and Programs Manager at the Wadsworth Atheneum.
Miki Orihara is best known for her work as a principal dancer in the Martha Graham Dance Company, which she joined in 1987. With the company, she performed as a principle in works by Twyla Tharp, Robert Wilson, Martha Clarke, Anne Bogard, and Martha Graham. In addition to performing the Graham repertory, she has worked closely with the renowned Japanese-American dancer, choreographer, and director Yuriko. Miki is a recipient of the prestigious Bessie Award and is also active as a teacher on the faculties at the Martha Graham School and The Hartt School.
This residency is supported by mediaThe foundation inc. and through the Maria Bacardi Artist Scholarship, established by a generous gift from artist Maria Pessino, in honor of her late grandmother.
RYAN PONDER MCNAMARA
United States
Discipline: Performance Art, Dance, Visual Art
In Residence: June 16-29, 2022
Ryan Ponder McNamara, a maestro of light self-mortification, rose to prominence in 2010 with his arduous months-long project, Make Ryan a Dancer, in which museum- goers watched him learn from the pros in daily, hard lessons; the effort didn’t make him a dancer, but it did make him a star. In the decade-plus since, his devotion to wringing meaning out of the barest means of artistic production has proved unstinting. There seems to be no site he can’t turn into a situation, no situation whose alienating potential escapes him.
McNamara is the featured artist of The Watermill Center’s partnership with Works & Process LaunchPAD “Process as Destination” residency.
TSUBASA KATO (he/him/his)
Japan
Discipline: Visual Art
In Residence: June 21 – August 3, 2022
One common characteristic of Kato’s multimedia projects, involving performance, structures and video, is communal practice: his representative Pull and Raise/Topple (moving a large structure with ropes in public space) relies on spontaneous participation. Since completing a project in Fukushima after the 2011 disaster, his work has become more satirical projects which play with social boundaries, such as They Do Not Understand Each Other on an uninhabited island between Korea and Japan. A community of refugees facing eviction pulls down a structure that resembles their homes in Break it Before it’s Broken. Four Americans tied together by ropes perform the US national anthem in Woodstock 2017. His projects and installations challenge the viewer to reconceive their sense of distances between us.
His works have been widely exhibited in Turf and Perimeter [Tokyo Opera City Art Gallery]; Scratching the Surface, [Hamburger Bahnhof, Berlin,]; They Do Not Understand Each Other [Tai Kwun Contemporary, Hong Kong]; BECOMING A COLLECTIVE BODY [MAXXI, Rome]; Aichi Triennale 2019 [Aichi, Japan]; Reenacting History [MMCA, Gwacheon, South Korea]; Uprisings [Jeu de Paume, Paris], amongst others.
ROBERT NAVA (he/him/his)
United States
Discipline: Visual Art
In Residence: July 6 – August 3, 2022
Robert Nava (b. 1985, East Chicago, IN) received a BFA in Fine Art from Indiana University as well as an MFA in Painting from Yale University. His practice centers on large-scale paintings and works on paper that portray whimsical creatures, rendered through gestural markings. Finding inspiration in the art of the distant past, from Medieval Christian imagery to Mayan and Sumerian art, as well as popular contemporary sources such as animation, Nava creates compositions that are carefully considered yet marked by a sense of naivete and spontaneity. His art has been exhibited in various solo exhibitions both domestically and abroad, including Bloodsport (2022) at Night Gallery, Robert Nava (2021) at Pace East Hampton, Robert Nava (2021) at Pace Palm Beach, Robert Nava: Angels (2021) at Vito Schnabel Gallery, and Robert Nava (2020) at Sorry We’re Closed in Brussels. He has a forthcoming solo show at Pace London opening in May 2022. Robert’s work is in the public collections of the Art Institute of Chicago, Illinois; Institute of Contemporary Art, Miami, Florida; Museum of Contemporary Art San Diego, California; The Museum of Fine Arts, Houston, Texas; and Zuzeum Art Center, Riga, Latvia.
Robert Nava is a recipient of the 2022 Inga Maren Otto Fellowship at The Watermill Center.
ESTAR(SER)
United States, United Kingdom, Japan
Discipline: Multidisciplinary
In Residence: August 8-15, 2022
ESTAR(SER) is an international research collective concerned with the history—and the mythology—of attention. Recent work includes: “All Senses on the Qui Vive,” 33rd São Paulo Biennial (2018); “El Halo del Cuidar,” Reina Sofia, Madrid (2019); “The Dance of Attention,” Glasgow International (2020/21); and “The Milcom Memorial Reading Room and Attention Library,” Mana Contemporary and the Monir Foundation, Jersey City (2022). Other installations, performances, and lectures have taken place at the Palais de Tokyo (Paris), Manifesta (Zurich), MoMA PS1 (New York), the Museo Tamayo (Mexico City), and elsewhere. Associates of ESTAR(SER) collaborate on various publications, for instance: “Presenting and Representing the ‘W-Cache,’” Proceedings of the Esthetical Society, New Series, Part VII Supplement (2016): 1-81; and, most recently, the edited volume In Search of the Third Bird (London: Strange Attractor, 2021). The collective’s exhibition, “THE THIRD, MEANING,” at the Frye Museum (Seattle) will run from October 2022 to October 2023.
At The Watermill Center, two ESTAR(SER) researchers, D. Graham Burnett and Hermione Spriggs, will convene a weeklong retreat/residency for a working group of collaborators: “Wondergraphic Distraction: Choreographies of Centripetal Attention.”
D. Graham Burnett is based in New York City, and works at the intersection of historical inquiry and artistic practice. Hermione Spriggs is a London-based artist, researcher, and exhibition-maker who explores practical methods for perspective-exchange.
JOYCE HO (she/her/hers)
Taiwan
Discipline: Multidisciplinary, Visual Art
In Residence: September 14 – October 7, 2022
Joyce Ho works across diverse mediums from painting, video, to installation. By integrating the deconstruction of movements and fragmentation of daily rituals with rich and illusory light and shadow, the artist demonstrates the intimate and isolating tensions between people and reality. The artist’s works simultaneously captivate her viewers while keeping them in a state of confrontation, rendering the quotidian action depicted in her work as a momentary ritual.
Ho has exhibited internationally, including Phantasmapolis: Asian Art Biennial, Taichung, Taiwan (2021); We Do Not Dream Alone: the Asia Society Triennial, Asia Society Museum, New York, NY, U.S.(2021); Yokohama Triennale: Afterglow, Yokohama Museum of Art, Yokohama, Japan (2020); Meditations in an Emergency, UCCA Center for Contemporary Art, Beijing, China (2020); Sunset on a Dead End: The Notorious and Their Inexplicable Modes of Existence, Power Station of Art, Shanghai, China (2019); NO ON: Joyce Ho Solo Exhibition, TKG+, Taipei, Taiwan (2019); 9th Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery, and Gallery of Modern Art, Brisbane, Australia (2018).
Joyce Ho is a recipient of the 2022 Baroness Nina von Maltzahn Fellowship for the Performing Arts at The Watermill Center.
OGEMDI UDE (she/her/hers)
United States
Discipline: Multidisciplinary, Dance
In Residence: September 14 – October 7, 2022
Ogemdi Ude is a Nigerian-American dance artist, educator, and doula based in Brooklyn, New York. Her performances focus on Black femme legacies and futures, grief, and memory. She aims to incite critical engagement with embodied Black history as a means to imagine Black futurity. Her work has been presented at Issue Project Room, Recess Art, Brooklyn Arts Exchange, Danspace Project, Gibney, Center for Performance Research, Movement Research at the Judson Church, Streb Lab for Action Mechanics, and for BAM’s DanceAfrica Festival. As an educator, she serves as Head of Movement for Theater at Professional Performing Arts School. In collaboration with Rochelle Jamila Wilbun she facilitates AfroPeach, a series of free dance workshops for Black postpartum people in Brooklyn. She is a 2021 danceWEB Scholar, 2021 Laundromat Project Artist-in-Residence, and 2021 Lower Manhattan Cultural Council Creative Engagement Grantee. She graduated Magna Cum Laude with a degree in English from Princeton University.
This residency is supported through the Maria Bacardi Artist Scholarship, established by a generous gift from artist Maria Pessino, in honor of her late grandmother.
HANK WILLIS THOMAS & FOR FREEDOMS
United States
Discipline: Multidisciplinary
In Residence: September 14 – October 7, 2022
Hank Willis Thomas (b. 1976, Plainfield, NJ) is an American conceptual artist working primarily with themes of perspective, identity, commodity, media, and popular culture. His body of work encompasses video, public art and collaborative installations, sculpture, and photography that inspires reflection on how art informs racial equity and civil rights. The first major retrospective of Thomas’ work, titled Hank Willis Thomas: All Things Being Equal…, debuted in 2019 at Portland Art Museum, Portland, OR, and followed in 2020 at Crystal Bridges Museum of Art, Bentonville, AK and Cincinnati Art Museum, Cincinnati, OH.
Thomas incorporates widely identifiable iconography in his images to create commentaries on racial inequality, violence, bias and portrayal of Black bodies perpetuated through advertising. In Absolut Power (2003), Thomas depicted the silhouette of the namesake beverage and filled its volume with the cramped arrangement of enslaved bodies aboard ships during the Atlantic slave trade. In the photographic series Branded (2003-2006), he superimposed the Nike swoosh logo onto Black male bodies to reference jarring images of slave branding and the modern exploitation of the Black male body—particularly in athletics.
For Freedoms is an artist-led organization that models and increases creative civic engagement, discourse, and direct action. They work with artists and organizations to center the voices of artists in public discourse, expand what participation in a democracy looks like, and reshape conversations about politics. Formed in 2016 by a coalition of BIPOC, queer, and allied artists, For Freedoms has organized hundreds of artist-designed billboards championing the voices of artists and their communities.
Hank Willis Thomas & For Freedoms are recipients of the 2022 Inga Maren Otto Fellowship at The Watermill Center.
KOR’SIA
Spain, Italy
Discipline: Dance
In Residence: October 19 – November 18, 2022
For the KOR’SIA collective, the arts and specifically the arts of movement, as their competence, are the only representations that manage to transmit the human world, everything created by our societies: tradition, society, culture, etc, in a way that no other cognitive skill achieves. Surviving in time beyond the societies that produced them and managing to transcend what we call ideas, providing individuals with access to their most intimate and spiritual ways.
Therefore, the objective of this collective is based on the creation of artistic devices whose epicenter is located in the body and that proposes a reflection on the possible gestation of individual and collective spaces, which can provide new access to ways of being and being. in the world through the living arts.
Currently, Antonio de Rosa and Mattia Russo are the directors and choreographers of the project, together with the Performing Arts researcher and co-founder, Giuseppe Dagostino, and the Professor of Performing Arts Agnès López-Río as artistic advisor, are the main architects of the KOR’SIA collective.
KOR’SIA is a recipient of the 2022 Baroness Nina von Maltzahn Fellowship for the Performing Arts at The Watermill Center.
MATTHEW RANDLE-BENT (he/him/his)
United Kingdom, United States
Discipline: Research, Academia, Theatre
In Residence: October 19 – November 18, 2022
Matthew Randle-Bent is a theatre scholar and artist from the UK, based in Chicago, IL. His work focuses on the cultivation of two particular subjectivities: the “critical attitude” described by Brecht, and the new subjectivities fostered by twentieth century “landscape” performance. Randle-Bent is currently working on two projects. One focuses on the relationship between landscape, the “spirit,” and performance — through practice and historical research. The other is a historical research project focusing on the International Theatre Institute’s Third World theatre committee — a body that hosted festivals in the Philippines, Iran, France, and the GDR during the 1970s. This work highlights unfinished histories of radical performance, as well as the transnational foundations of performance theory between what was known as the “Second” and “Third” worlds. He holds a BA from Warwick University, MA from Queen Mary, University of London, and is currently completing his PhD at Northwestern University.
This residency is supported through the Maria Bacardi Artist Scholarship, established by a generous gift from artist Maria Pessino, in honor of her late grandmother.
STUDIOTASSY (they/them/theirs)
Scotland, Norway
Discipline: Multidisciplinary
In Residence: October 19 – November 18, 2022
STUDIOTASSY was established to encompass diverse creative collaborative practices outdoors; sculpture, performance, play, landscape design, community events, architectural artworks, and education projects since 1992. Tassy Ellen Thompson grew up in the mountains of Scotland learning from & making with the raw materials of large, wild spaces. They are inspired by expansive landscapes (physical & conceptual). STUDIOTASSY is committed to the challenges of co-creation which has delivered many original and multi-award-winning public realm works. Thompson is currently a Ph.D. Research Fellow, university lecturer, and a member of the Learning and Teaching for Sustainability Research Group researching landscape and sustainability in relation to play, performance, and ecology. Recent projects include a pro-ecological forest playground in Norway, a digital ‘scrollytelling’ map of academic sustainability research, and Elvelangs i Kongsberg – a participatory grassroots environmental arts festival. The event attracts the participation of over 3500 local people creating a collaborative multi-arts living current of humans and ‘other than humans’ – performing, making, and creating a dynamic community landscape and local ecology.
This residency is supported through the Maria Bacardi Artist Scholarship, established by a generous gift from artist Maria Pessino, in honor of her late grandmother.
NETTA YERUSHALMY (she/her/hers)
Israel, United States
Discipline: Dance
In Residence: November 29 – December 16, 2022
Netta Yerushalmy is a New York based choreographer, originally from Galilee, Israel. Most recently her work has been recognized with a 2022 United States Artist Fellowship. Previous honors include a Guggenheim Fellowship, a Princeton Arts Fellowship, and an Award to Artists from the Foundation for Contemporary Arts. She’s also received fellowships and major grants from Center for Ballet & Arts, New York City Center, National Dance Project, Bogliasco Foundation, LMCC’s Extended Life, New York Foundation for the Arts, and numerous others. Her work has been commissioned and presented by Jacob’s Pillow, New York Live Arts, PEAK Performances, American Dance Festival, Joyce Theater, Alvin Ailey ADT, Guggenheim Museum, Wexner Center for the Arts, Danspace Project, Curtain-Up (Tel Aviv/Jerusalem), HAU Hebbel am Ufer & ICI (Berlin), among many others.
During her residency Yerushalmy will begin early incubation for a new hybrid personal-social performance project. She’ll be joined by light-and-space artist Tuce Yasak, composer Paula Matthusen, writer Kattherine Proftea, fabric artist Magdalena Riley, and filmmaker Alla Kovgan.
This residency is supported through the Maria Bacardi Artist Scholarship, established by a generous gift from artist Maria Pessino, in honor of her late grandmother.
ELI BERMAN (they/she)
United States
Discipline: Research, Academia, Music
In Residence: November 29 – December 16, 2022
Eli Berman is a vocalist, composer, improviser, and new instrument builder from Pittsburgh, Pennsylvania. She creates electroacoustic music using experimental vocal techniques across a variety of her ancestral vocal technologies, namely khazones (Ashkenazi Jewish cantorial music), Yiddish and Appalachian folk songs, Slovak travnice, and western classical techniques.
Berman has premiered her music at multiple festivals including (R)evolution: Resonant Bodies at the Banff Centre, New Music On the Point, Yiddish Summer Weimar, New Explorative Oratorio Voice Festival, Atlantic Music Festival, and Gender Unbound. She has sung as countertenor/baritone soloist in the U.S. premiere of John Tavener’s “Total Eclipse,” in a New York Times critically-acclaimed concert of works by Eve Beglarian, and with ensembles such as C4: The Choral Composer/Conductor Collective. She has presented her research at the 2021 International Conference on New Interfaces for Musical Expression, 2020 Pan-American Vocology Association Symposium, and 2019 Transgender Singing Voice Conference. Eli has a B.A. in Music from Princeton University and is currently pursuing an M.A. in Digital Musics at Dartmouth College.
This residency is part of the YoungArts and The Watermill Center Residency. Inaugurated in 2020, each year an alum from YoungArts: The National Foundation for the Advancement of Artists is awarded a residency at The Watermill Center, where they are given the chance to develop their practice at our East End campus.