PONTUS LIDBERG
(no pronoun preference)
United States

Discipline: Multidisciplinary, Dance
In Residence: January 3-10, 2024

Pontus Lidberg is a choreographer, filmmaker, dancer and recipient of a 2019 John Simon Guggenheim Fellowship, who has firmly established himself as a visionary artist that merges dance and film. As a choreographer for the stage, Lidberg has created works for luminary dance companies around the world, including Paris Opera Ballet, New York City Ballet, Martha Graham Dance Company and many more. His work has been commissioned and presented by festivals and venues including Montpellier Danse, Théâtre National de Chaillot and The Joyce Theater. His film, “The Rain” received numerous awards. His film, “Labyrinth Within” won Best Picture at the Dance on Camera Festival in 2012. His first feature film, “Written on Water” starring Aurélie Dupont, premiered at Le Festival International du Film sur l’Art in Montréal in 2021. Raised in Stockholm, Sweden, Lidberg trained at the Royal Swedish Ballet School and the Conservatoire National de Musique et de Danse de Paris. He holds an MFA in Contemporary Performing Arts from the University of Gothenburg, Faculty of Fine, Applied and Performing Arts.

MORGAN BOBROW-WILLIAMS
(they/them)
United States

Discipline: Post Disciplinary
In Residence: January 31-February 23, 2024

Morgan Bobrow-Williams is a post-disciplinary artist from Augusta, Georgia, experimenting at the intersections of dance, performance, sound, film, design, and installation. They received a BFA in Dance at Marymount Manhattan College, have performed across the US and Europe, collaborating with Johannes Wieland, Shamel Pitts, and Maxine Doyle, composed music for solo and global works, and been an artist in residence at Merriweather District, Tanz Farm, and Triskelion Arts.

Installation works include: “THE RUNNING PROJECT: BLACK GLADIATOR” exploring blackness as gladiatorism and “FREEDOM-PHONE-4000,” on technology, agency, and non-causality. As a music artist under the name SUM1, they have independently released four music projects.

Morgan is currently immersed in an expansive post-disciplinary project called sTARBABY. Committed to pushing creative boundaries, their dedication to post-disciplinary work invites transformative artistic experiences.

CATHERINE CHEN
(she/they)
United States

Discipline: Creative Writing
In Residence: January 31-February 23, 2023

Catherine Chen is a multidisciplinary poet living in Brooklyn. Their practice activates an architectural writing that is scaffolded by rituals of desire, mourning, and embodied labor. A Lambda Literary and Poets House fellow, they have received artist support and fellowships from Lower Manhattan Cultural Council (Arts Center at Governors Island), Theater Mitu, Franconia Sculpture Park, and Monson Arts Center. Their poems have appeared in The Rumpus, Hyperallergic, The Academy of American Poets’ Poem-a-Day, Apogee, among others. They are the author of the poetry collection Beautiful Machine Woman Language (Noemi Press, 2023).

GEORGIOS CHEROUVIM
(he/him)
United States, Greece

Discipline: New Media/Computer Animation
In Residence: January 31-February 23, 2024

 
Georgios Cherouvim (b. 1981, Athens, Greece) is a Brooklyn-based artist working with computer animation and code. He experiments with algorithms, new technologies and installation in pursuit of new aesthetics and visual languages. He often programs custom tools and instruments, which he uses to produce his work, and enjoys shifting between the roles of the developer and the artist.

Georgios’ work has been featured in festivals and venues worldwide, including Siggraph, Ars Electronica, South by Southwest, the International Symposium on Electronic Art, Art Futura, Athens International Film Festival, and the Greek National Opera.

He graduated with honors and an award from the National Center for Computer Animation in the United Kingdom. Since 2005, he has worked as a creative and technical director in visual effects for feature films, TV, and Virtual Reality. Georgios teaches an animation class at the School of Visual Arts in New York City. He is a member of Onassis ONX, a mentor at NEW INC of the New Museum, an art resident of the Watermill Center and has served as a jury member for the ÉCU film festival and the Irish Film & Television Academy.

 

JOANA P. CARDOZO
(she/her)
United States, Brazil

Discipline: Performance/Visual Art/Interdisciplinary
In Residence: February 28-March 29, 2024

Joana P. Cardozo (b. Sao Paulo, 1979) is a Brazilian visual artist based in Los Angeles. Her art practice is rooted in rituals and spirituality, exploring ideas of mortality, domesticity, and identity through photography, mixed media, installation, and performance. Cardozo has most recently exhibited/ performed at Lois Lambert Gallery (Santa Monica), Helen J Gallery (Los Angeles), Bareiss Gallery (Taos), photo L.A. (Los Angeles), Texas Contemporary Art Fair (Houston), Koslov Larsen (Houston), and Rencontres d’Arles (France). Her projects have received support from The Foundation for Contemporary Arts, Santa Monica Cultural Affairs, The New York Foundation for the Arts, Fundação Nacional de Artes, National Association of Latino Arts and Cultures, among others. She received an MFA from the California Institute of the Arts (2022). Cardozo is represented by Koslov Larsen in Houston.

LINDSAY MORRIS
(she/her)
United States

Discipline: Visual Art/Journalism
In Residence: February 28-March 29, 2024

Lindsay Morris is a photographer known for documenting events in her personal life and surrounding community. Morris studied at the University of Michigan School of Art, The School of the Art Institute of Chicago, and The School for International Training, Nairobi, Kenya. She is a regular contributor to the New York Times and The New York Times Magazine. Her works are held in the collections of The Parrish Art Museum, Watermill, NY, and The Newport Art Museum, RI.

Morris is a producer of the 2016 BBC documentary, My Transgender Summer Camp, and the upcoming documentary, ‘Mom, I’ve Got Something to Tell You.’ Morris’ first TED talk will be published in March 2024.

KATHERINE PROFETA (she/her)
Discipline: Dance Dramaturgy/Writing
RALPH LEMON (he/him)
Discipline: Dance/Visual Art
DARRELL JONES (he/him)
Discipline: Dance
United States
In Residence:February 28-March 29, 2024

Katherine Profeta (dramaturg), Ralph Lemon (choreographer/visual artist), and Darrell Jones (choreographer/performer) have collaborated on Ralph Lemon’s performance projects since 2002, when working on 2004’s Come home Charley Patton. Katherine is currently a Professor in the Practice of Dramaturgy at the David Geffen School of Drama at Yale, and has served as founding member/choreographer of Elevator Repair Service, as well as dramaturg to many choreographers. Ralph Lemon is a choreographer and visual/conceptual artist with a long and storied career in multiple disciplines, and recipient of multiple awards including a MacArthur and a National Medal of Arts. Darrell Jones is a two-time Bessie Award winner (for his work with Bebe Miller and his own work) and an Associate Professor of Dance at Columbia College.

SARA STERN
(she/they)
United States

Discipline: Interdisciplinary
In Residence: February 28-March 29, 2024

 

Sara Stern is an interdisciplinary artist from New York City. Their recent projects prod histories of urban development with speculative fiction. Stern has exhibited and screened her work in the US and internationally, at venues including SculptureCenter (Long Island City, NY), Anthology Film Archives (New York, NY), the Museum of the Moving Image (New York, NY), The Jewish Museum (New York, NY), and the Institute of Contemporary Arts Singapore. Stern received a BA in Visual and Environmental Studies from Harvard College and an MFA in Visual Arts from Columbia University. She is the recipient of a Rema Hort Mann Emerging Artist Grant, the Fountainhead Fellowship in the Department of Sculpture + Extended Media at Virginia Commonwealth University, and several residencies at the Fine Arts Work Center in Provincetown, MA. In recent years, Stern has participated in the Fire Island Artist Residency (Cherry Grove, Fire Island, NY), the Art & Law Program, the Artist Residency at the Carving Studio and Sculpture Center (West Rutland, VT), and the Object Movement Residency at The Center at West Park (New York, NY).

NÉMO FLOURET
(no pronoun preference)
France, Belgium

Discipline: Performance Art
In Residence: April 3-May 4, 2024

Némo Flouret, born in 1995, from Orléans (FR), based in Brussels, choreographer, performer and multidisciplinary artist. He develops site specific projects, performances crossing different mediums, usually in hybrid spaces outside theaters. Such as “900 Something Days Spent in the XXth Century” (2021), a performance conceived for post-industrial/urban spaces, and “What we found in the solitude” (2019), a duet taking place in a tunnel. Since 2019 he has been collaborating with the choreographer Anne Teresa De Keersmaeker, co-creating in close collaboration with Tessa Hall a solo as part of the “Dark Red Project” (2021) at the Fondation Beyeler (Basel), and the site specific project “FORÊT” (2022) that they co-signed for the Louvre Museum in Paris as part of the Festival d’Automne. He now starts a new project called Derniers Feux, fusing choreography, music, and pyrotechny, made both for the theater or for any other location. This project will premiere in la Comédie de Genève in June 2025.

Némo Flouret is a recipient of the Baroness Nina von Maltzahn Fellowship for the Performing Arts at The Watermill Center.

NICOLÁS LANGE
(he/him)
Italy, Chile

Discipline: Theater/Creative Writing
In Residence: April 3-May 4, 2024

Nicolás Lange is a writer, performer and stage director from southern Chile. Based in Florence, Italy.

His texts have been translated into English, German, Italian, Portuguese and French, and his work has been presented in more than 15 countries. His work works with a strong poetic and biographical register, to cover themes ranging from colonialism to systematic violence against sexual dissidence in South America.

Author of the winning book of the Literary Awards (2021, Chile) Caminamos porque amamos algo (CastoryPólux, 2023).

He has been resident artist at GORKI Theater (Berlin), KVS (Brussels), National Theater of Lithuania (Vilnius), Chateau de Monthelon (France) and Grand Theater Groningen (The Netherlands), Giornate del Respiro, (Sardegna, Italy), Teatro Cantiere Florida, and PARC: Performing Arts Research Center (Florence, Italy). His play YO SALVO LA MUERTE, is the opening play of the 21VOLTS Festival, Central Elétrica (Porto, Portugal), he is currently a playwright in the International Residency Program, representing the Centro Dramático Nacional, Madrid. Currently is developing his new project at the Citè des Arts (Paris).

This residency is supported by Fundación Teatro a Mil.

TALLES LOPES
(he/him)
Brazil

Discipline: Visual Art/Design
In Residence: April 3-May 4, 2024

Talles Lopes (1997) is an artist and architect who graduated from the State University of Goiás (UEG). He lives and works in Anápolis, a city in the interior of Goiás situated between the planned cities of Goiânia and Brasília. Reviewing archives, atlases, architectural projects and exhibition catalogs, the artist has dedicated himself to investigating the landscape built on the periphery of modern thought in Brazil, as well as the suspicious relationship between the imaginary of modernity and colonial heritage. 

The artist has taken part in exhibitions such as the 12th São Paulo International Architecture Biennial (2019), the “Brazilian Histories” exhibition (2022) at MASP – Museu de Arte de São Paulo, as well as the “Concretos” exhibition (2022) at TEA – Tenerife Espacio de las Artes (Spain), and was also awarded the EDP Prize in the Arts (2020), held at the Tomie Ohtake Institute. He has been a resident artist at the Delfina Foundation in London (2022), the URRA Project in Buenos Aires (2023) and most recently at the IPA – Institute for Public Architecture in New York (2023).

k Abram
(no pronoun preference)
United States

Discipline: Creative Writing
In Residence: May 8-June 7, 2024

k Abram is a poet and essayist based in Brooklyn, NY. Their work has been supported by Blue Mountain Center, featured in the NYU Emerging Writers Reading Series, and recognized as a finalist for the BOMB Magazine Poetry Contest, Meridian Short Prose Prize, and Wabash Prize for Poetry. k’s writing can be most recently found in Meridian, The Offing, and Tupelo Quarterly. She holds an MFA in Creative Writing from New York University and is a Lecturer in NYU’s Liberal Studies program.

A. J. BERMUDEZ (she/her)
United States

Discipline: Creative Writing/Interdisciplinary
In Residence: May 8-June 7, 2024

A. J. Bermudez is an award-winning author and filmmaker based in New York and Los Angeles. Her first book, Stories No One Hopes Are About Them, won the 2022 Iowa Short Fiction Award and was a 2023 Lambda Award Finalist. Her writing has appeared or is forthcoming in a number of literary journals, including The Kenyon Review, Electric Literature, Virginia Quarterly Review, Creative Nonfiction, Columbia Journal, Chicago Quarterly Review, Boulevard, Story, Hopkins Review, The Masters Review, and elsewhere. Her most recent screenwriting project, a feature film called My Dead Friend Zoe, will be released in 2024. She is a recipient of the Page Award, the Diverse Voices Award, the Alpine Fellowship Writing Prize, the Pushcart Prize, and the Steinbeck Fellowship. Her work has received support from the Banff Centre, the Cultural Association of Morocco, the Bethany Arts Community, the Cambridge Writers Workshop, and the Montalvo Arts Center. She currently serves as Editor of The Maine Review. Bermudez is also a former boxer and EMT, and her work gravitates toward contemporary explorations of power, privilege, and place.

RUPTURE
United States

Discipline: Dance/Multidisciplinary
In Residence: May 8-June 7, 2024

We are RUPTURE – a bi-coastal collective of queer performance artists situated in the unceded territories of the Ramaytush, Huichin, and Muwekma Ohlone peoples and Lenape peoples – regions colonially known as San Francisco, Oakland, and Berkeley, California and New York City in the so-called “United States.”

Spanning the vastness of Black embodiment through our respective lineages of Afrolatinxdad, Afroindigenity, Afro-Filipinx and Afro-Caribbean identity, we are informed by a wide range of African-Americanisms sourced from Harlem, the Bronx, Oakland, Los Angeles, and the Deep South. The Bay Area, having a certain Black and Queer potentiality historically woven into its mythology, drew us here as it has our predecessors. Our work manifests and lives through study, podcasts, gatherings, retreats, community workshops, and performances as traditional diasporic strategies. Using somatic, theatrical, ritual, and experimental sound practices, RUPTURE explores the inextricably linked histories that exist in the “not yet” as an act of emergence.

jose e. Abad (They/Them), USA, Stephanie Hewett (She/They), USA, Gabriele Christian (They/Them), USA, Styles Alexander (They/Them), USA, Clarissa Rivera Dyas (She/They), USA

 

ELVIRA CLAYTON (she/her)
United States

Discipline: Multidisciplinary
In Residence: September 24-October 17, 2024

Elvira Clayton’s art responds to the lives of people who lived under American slavery. She uncovers stories buried within slave auction notices, plantation records, and other slave-era documents to illuminate hidden historical memories. “Through this process, I am honoring my own enslaved ancestors,” Clayton says.

Working in installation, performance, assemblage sculpture, handcrafts, printmaking, and community-engaging projects, she considers her pieces ritualistic vessels holding stories of lost and forgotten people.

Her work has been exhibited in solo and group shows throughout the U.S. She is a 2023-2024 Lower Manhattan Cultural Council Workspace Resident, an A.I.R. Gallery Fellow, and Robert Blackburn Studio Immersion Fellow. Clayton has been an artist-in-residence at The Women’s Studio Workshop, Residency Unlimited, The Anderson Center, and Blue Mountain Center.

Born in Lafayette, Louisiana, Clayton grew up in Houston, Texas, and currently lives in Harlem, New York City.

ONE LANDSCAPE COLLECTIVE
United States

Discipline: Multidisciplinary
In Residence: September 24-October 17, 2024

ONE LANDSCAPE is a not-for-profit conservation organization founded by landscape architect, Margie Ruddick in collaboration with composer and musicologist Martin Brody. ONE LANDSCAPE is a collective of performance and studio artists, scientists architects landscape architects, policy makers, entrepreneurs, and others working together with local communities to promote the conservation of wild landscapes and to shift the culture of conservation from one that objectifies nature to one that understands humans as integral to natural systems.

To do this, ONE LANDSCAPE integrates science, art, policy and community to develop sustainable conservation road maps, both on the ground through the actual mapping of landscapes, and metaphorically reimagine conservation and preservation of wild landscapes all over the world.

Our group residencies and workshops produce deep mapping that incorporate whole systems- ecologies, cultures, and economies, as well as visual sonic, and kinetic experiences.

We have begun to test these new ways of mapping in pilot projects in India and in the still unspoilt areas of Eastern Long Island.

SHELLEY NICOLE
(she/her)
United States

Discipline: Music/Interdisciplinary
In Residence: September 24-October 17, 2024

Shelley Nicole is a transformational healer using the power of love and the energetic magic of music to shift the world. She is a songwriter, vocalist, composer, actress and founder of Shelley Nicole’s blaKbüshe. Shelley Nicole has released three albums, “she who bleeds…,” “The Quick & Dirty EP” and “I Am American.” Her music is forged from rock, funk and soul’s connective tissue, empowering women to reclaim their cultural identity and personal agency.

Shelley Nicole has performed from London to Los Angeles and graced a myriad of stages including Lincoln Center, Carnegie Hall and The Apollo Theater. As a featured member/conductor of Burnt Sugar the Arkestra Chamber, founded by the late culture critic Greg Tate, Shelley has toured throughout Europe and the US. Shelley recently presented “Punanny Politixxx: Hindsight is 2020” at the Tribeca Performing Arts Center, is a co-collaborator on “Priestess of Twerk: A Black Femme Star Temple + Wisdom School” premiering in 2024 and toured with “Octavia E. Butler’s Parable of the Sower Opera.” Shelley is excited to bring her gifts to the fall artist-in-residence cohort at The Watermill Center.

OMAR TATE
(he/him)
United States

Discipline:Multidisciplinary/Food/Culinary

In Residence: September 24-October 17, 2024

 

Omar Tate (he/him) is a chef, poet, visual artist, and cofounder of Honeysuckle Projects, a multifaceted food company that focuses on the nuanced cultures and cuisines of the Black diaspora. His work serves to engage us in deeper understanding of the contextual relationships between food, storying, emotion, and place. His integrated practices examine and imagine timetables that are simultaneously past, present, and future in the sharing of our collective human experience. He focuses on time and the context within those scapes to offer new perspectives on equitable outcomes for Black peoples in real time.

Omar has emerged as a visionary and a leading thinker on the restaurant industry’s cultural development. He specifically focuses on the interrogation of race and ethnicity to tear down structural barriers through his practices. In 2020, Omar was named chef of the year and Honeysuckle named pop up of the year by Esquire Magazine . In 2021 Time Magazine named Omar as one of the 100 innovators to watch as part of their Time100Next list.

Omar Tate is a recipient of the Baroness Nina von Maltzahn Fellowship for the Performing Arts at The Watermill Center.

JAMIE DIAMOND
(she/her)
United States

Discipline: Visual Art

In Residence: October 23-November 22, 2024

Jamie Diamond is a performance artist, photographer and filmmaker living and working in NY. Since 2008, Diamond has been an active professional visual artist and educator in Philadelphia at the University of Pennsylvania, mounting national and international exhibitions. At the core of her work is the evolving nature of human connection and intimacy. Her work has been the focus of exhibitions at Fondazione Prada, Hong Kong, and Milan, and presented in group shows at Deichtorhallen, Hamburg; Canadian Centre for Architecture; Museum für neue Kunst, Germany; Kunsthalle Erfurt, Germany; Trapholt Museum, Denmark; Museo d’Arte Contemporanea della Sicilia, Palermo; MASS MoCA, North Adams, MA; Bronx Museum, New York, NY; amongst others. Diamond is a recipient of the NYFA Fellowship Award in Photography, Artist in Residence at The Bronx Museum, Mana Residencies program, LMCC Swing Space residency & Work Space residency and received the Toby Devan Lewis Fellowship Award. Diamond’s work has been featured in publications such as The New York Times, The New Yorker, artnet, AnOther Magazine, Whitewall, Muse Magazine, Aperture, Hyperallergic, Vanity Fair, Vogue, Artsy, among others.

YUKI KOBAYASHI
(he/him)
Japan

Discipline: Performance/Interdisciplinary
In Residence: October 23-November 22, 2024

Yuki Kobayashi (b. 1990, Tokyo, Japan) is Visual / Performance Artist. He received BA from Central Saint Martins College of Art and Design, Fine Art in 2014 and MA from Royal College of Art, Performance and Painting in 2016. Kobayashi founded and organises the Performance Platform “Stilllive” since 2019.

In the work, Kobayashi explores the neutrality of gender and questioning racial stereotypes, looking into human relations, the resonance between restriction and fluidity in time and space with using his own body. His action-based performance seek to reveal the authenticity of the human condition, working with the unexpected and the spontaneous to discover the invisible. Questioning both power and restrictive social codes towards a more uncertain world of freedom and equality.

Kobayashi has participated world widely to the exhibition, festival, theater and stage, also working collaboratively in the photography, film. He has invited by several residencies includes CHAT (Centre for Heritage, Arts and Textile) (Hong Kong, 2023), Eaton HK (Hong Kong, 2022). Recently he received the Asian Cultural Council (ACC) Individual Fellowship Visual Art Grant Award in 2023.

JOANNA MATTREY
(she/her)
Discipline: Music
JAMES KENNEDY
(he/him)
Discipline: Architecture
United States
In Residence: October 23-November 22, 2024

Joanna Mattrey is a composer, improviser, and multimedia artist whose work blends installation, video, sound, and movement. Her compositions use multimedia elements to strengthen and extend the transmission of the works, creating visual and sonic environments to more deeply convey the themes of transformation, memory, social connection, loss, and spiritual journeys. Grounded in bodywork, Mattrey creates embodied performances centered on ceremony and ritual. For this upcoming project, she will be joined by architect, James Kennedy.

Through his work with Leroy Street Studios over the past decade, Kennedy has been responsible for the design and realization of numerous projects, collaborating with builders and craftspeople across New York. The pair have collaborated on several of Mattrey’s installations, notably the illuminated lighting and sculptural cocoons for ‘Weaver’ and the four gateways installation from Mattrey’s large-scale work, ‘Arrhythmia’.

LUCIEN SHAPIRO
(he/him)
United States

Discipline: Multidisciplinary
In Residence: October 23-November 22, 2024

Lucien Shapiro was born in 1979, in Santa Rosa, CA. He attended San Francisco Academy of Art University and received a BFA in 2003. Shapiro is a multi-faceted artist whose work spans across sculpture, performance, and film. Shapiro’s work has been exhibited nationally and internationally at museums, festivals, galleries, and art fairs. Shapiro’s work is process-focused and common themes include portals, repetition, a meticulous attention to craft, self-healing, and the transformation of forgotten objects into interesting and symbolic relics.